For many people who has spent years living in rental properties, staring at the same landlord-approved beige walls and yearning for injecting personal style to their home, Pantone's latest Colour of the Year might be perceived as a disappointing choice.
This time around, the renowned color company has selected white as its premier hue.
More specifically, the shade is called Cloud Dancer – a white described as "lofty" and "airy" which "serves as a emblem of calming influence in a society re-evaluating the worth of quiet reflection".
It marks the first time a pure white has been honored as the Colour of the Year, and it has raised more than a few eyebrows.
Per Pantone, Cloud Dancer "represents more than a hue, it's a state of being" and reflects a collective desire to decelerate, recalibrate and achieve serenity after years of sensory saturation.
But some detractors have branded the decision as "Pantonedeaf", contending that promoting sparse and pristine white spaces can seem disconnected from the more compact, messier homes everyday individuals occupy.
Additional critics propose that presenting white as aspirational risks racial undertones, causing discomfort during continuing political and cultural dialogues about inclusion and diversity.
Interior expert Chris Beaumont says the counter-reaction goes beyond aesthetics, stating that white holds cultural undertones and is rarely a neutral choice.
"The color white sends a message," he says, shaped by a decade of minimalist celebrity interiors – most famously Kim Kardashian's stripped-back home – that came to symbolize "affluence, order and removal from disorder".
He explains that white is "not intended to inspire but taking care not to offend", with Cloud Dancer personifying "austerity, virtuous simplicity and the idea that impartiality denotes goodness".
The designer points to the pandemic as a turning point in how people interact with their homes.
"Overnight they became our offices, sanctuaries and sources of stability," he says, adding that in this context, directing the Colour of the Year towards "more aesthetic barrenness feels rather tone-deaf".
Instead of providing calm, he contends white now threatens to amplifying "a sense of emptiness", particularly when paired with harsh, sterile lighting.
An interior designer, a Surrey based interior designer, concurs and says Cloud Dancer "is not perceived as a colour" and is "completely rejected for me".
Although it may work in extremely sparse or architectural spaces, she says bright whites rarely foster calm in real homes.
"An image of tranquility in a professional photo can easily seem sterile at home," she clarifies.
"The color white may seem stark and demanding and you wouldn't wish your home to emit hospital vibes."
She adds that "homes should elicit happiness and be warm and welcoming, and this shade seems quite distant from that."
The critic hopes that homeowners will reject the Pantone Colour of the Year in favour of "full-scale joyful interior design", using vibrant hues to express personality.
A representative of the Pantone Colour Institute commented that people "have varied interpretations" to the meaning of the colour, but it was selected as it "works seamlessly with everything around it, providing a sophisticated impartiality that seems intentional and adaptable".
Since its launch in 2000, Pantone's Colour of the Year has become a significant trend indicator.
Past choices have included the optimism of a vibrant pink-orange, the serene assurance of Classic Blue, the energy of a bold pink-red, and most recently more gentle, emotionally driven tones like Peach Fuzz.
These colours extend beyond trend forecasts - they show up in fashion collections, beauty launches, home decor, packaging and even technology, shaping how products are marketed and how consumers envision the year ahead.
A style and trend expert, says Cloud Dancer is a "beautiful choice" and while it may appear simple, "this particular shade feels soft and refined rather than severe".
Contrary to those who say the colour is dull, the expert sees it as "adaptable" and says it's best used in "sleeping quarters and communal spaces where you want a peaceful, restful atmosphere".
"Should you don't want to redecorate, you can introduce the colour into a room with pillows, blankets and curtains."
Interior designer Another professional says although he was surprised that Pantone's selection this year was "essentially the lack of pigment", it is a bit like vanilla ice cream, in that "everyone likes it but it's nobody's favourite".
He can see its benefits, explaining that white can work particularly well as a background for architectural details like panelling and arched doorways which is a "growing trend in modern homes".
In apparel, white has long been a staple rather than a statement and as a Colour of the Year it presents a unique test to designers more familiar with bold shades.
Fashion consultant Oriona Robb says championing white feels "not focused on newness and more about intention", reflecting a shift towards sophistication after years of fad saturation.
"White forces designers and wearers alike to focus on form, scale and quality, there's really no room for error," she explains.
But she continues that it also carries assumptions around self-image, way of life and advantage, saying: "When white is treated as something only a narrow group of people can wear well, it becomes exclusionary."
She says the fashion world is already aware of the uncomfortable undertones associated with lauding white as an aspirational standard, especially during continuing conversations about representation and accessibility, and the real test will be whether "brands engage with that complexity authentically, or simply aestheticise the colour".
Style consultant Another expert concedes the choice initially surprised her, considering Pantone's track record of bold colours, but says it reflects a genuine shift and aligns with a wider mood of "quiet luxury
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